on Oct 23, 2015 in Synths & Sound Design 0 comments
Omnisphere 2 is like universe of sound design and creation in a plug-in. But rather than simply going by the presets, Lynda Arnold is here to help you begin to program your own patches from scratch.
Oct 20, 2018 If you are a producer dont try to get software for free. The people that made the software have family’s and bills to pay just like you. When you make a Beat or Produce something Hot with Omnisphere 2 Im quite sure you want to get paid correctly for it, and if you need texhnical support you can’t get it without a legit copy of the software. What does a VST stand for? This video will show you how to install VST plugins Spectrasonics - Omnisphere 2 Virtual Instruments (effects, instruments etc) in Fl Studio 12. Clean and fast tutorials (under 7 min) without any unnecessary time wasted. Note: Crashing Issue!! Due to the bug of Omnisphere 2, it may crash when you paste the license. Oct 21, 2018 As always it’s best to purchase your own Omnisphere 2 VST and support those who put in the time to develop and program such a great software synth. The $499 price tag is a bit steep for some who are on a budget or can’t really afford it, but belie. Jan 24, 2015 Version 2 is close to £399 new. I know what i'll be doing. Omnisphere 2 Upgrade Standard Upgrade: $249. For all Omnisphere 1 customers (Standard and Transfer Licenses) VIP Upgrade: $199. For customers who own Omnisphere, Trilian and Stylus RMX (Standard Licenses) Grace Period Upgrade: FREE For new Omnisphere customers from October 2014 thru.
Oct 23, 2015 Omnisphere 2 is like universe of sound design and creation in a plug-in. But rather than simply going by the presets, Lynda Arnold is here to help you begin to program your own patches from scratch. Spectrasonics Omnisphere is known as one of the most powerful and best sounding software synthesizers on the market.
Spectrasonics Omnisphere is known as one of the most powerful and best sounding software synthesizers on the market. It has just received another boost into the audio production stratosphere with its extensive 2.0 update, attracting new users and fans for its sound quality and design. It’s easy to get wrapped up in exploring and playing the thousands of patches available, especially the new additions. And without fault, there are so many usable sounds right of the box that can be used to enhance any production. Producers and composers alike should indulge!
Should I Get Omnisphere 2 1
Watch these Omnisphere 2 video tutorials to become an Omnisphere Jedi.
That said, the purpose of this article is to explore the basics of custom synth patch creation using the powerful and easy to use interface in Omnisphere. Not only is the interface design intuitive, but also the complexity of what’s possible can keep the most seasoned music producers busy for months, if not years! If you do a search for custom Omnisphere patches, there are gurus out there selling their wares or offering free downloads of their creations. For those of you starting out with software synth programming, Omnisphere is a worthy investment and a good place to start.
Should I Buy Omnisphere 2
In this article, I will give an overview of how to begin to program synth patches and very quickly find unique and inspiring sounds. I’ll go over types of waveforms, routing and using the modulation sections, where all the magic happens. Along the way, I’ll share some audio clips of my progress. By no means will I be able to cover everything is this short article, but I hope it inspires you to explore Omnisphere or another favorite software synth in your DAW. Come along for the ride as I lead you through my process.
In the Beginning: The Default Patch
When you load up Omnisphere into your DAW, the Default patch is loaded with a ‘SawSquare Fat’ waveform in the Synth window in the Oscillator section. This is the place where we can first select the basic waveform to build from or use a sample instead. For this article, we will be building from the synth generator. There are dozens of different waveforms to choose from including waveforms from Classic hardware synths, analog timbres and digital wavetables. I chose a classic Triangle wave from the top menu.
More Fun in the Oscillator Section
In the expanded oscillator section you have the option to add additional synthesis including FM (Frequency Modulation), Ring Modulation, Waveshaper and choose between Unison, Harmonia and Granular. They all change in the sound in different ways depending on your starting waveform so I would suggest staying in this area for quite a while and explore the options within each section. For my simple triangle wave, I chose to use the Unison section to fatten up the sound a bit. The Unison function makes slightly detuned copies of the original waveform and layers them to create the bigger sound. The spread slider widens the stereo field beautifully. Harmonia is great for creating chords by just pressing one note and Granular, a new synthesis feature in Version 2, is another specialized, but beautiful sound design option.
Synth Design Example 1—‘SawSquare Fat’, ‘Triangle’ and ‘Triangle with Unison’:
Playing with Modulation
Figure 4 – Quickly access Modulation drop down menu by right clicking on any parameter.
Back in the A section overview, I decided to play around with The Shape, Symmetry and Hard Sync sliders in the Oscillator section to bring more character to the sound. I also experimented with modulating each of these parameters through different LFOs operating at slightly different, slow rates. I quickly discovered that I was starting to create an interested Pad sound with evolving character. At this point I also went to my Amp Envelope section and adjusted the attack and release so that it was smooth on both ends when changing between chords. I also turned on the main Filter and modulated the Cutoff through LFO 4. I’ve included both samples with and without the Modulating filter cutoff so you can hear the difference. All these adjustments changed the sound dramatically from the previous ‘Unison’ example, as you’ll hear below.
Synth Design Example 2—Designing a Dynamic Pad Sound with Modulation routing, Filter and Amp Envelopes:
Figure 5 – Modulation Matrix Window in Omnisphere.
The Modulation section matrix window is a great place to try different sources and targets. Anything in the Oscillator section can be modulated with LFOs, envelopes and assigned to controllers like mod wheels. I felt more comfortable navigating this Mod section in particular compared to other software synths I’ve worked with.
Save and Tag your Custom Patch
One of most important steps in Synth patch creation is to save and tag your new sound so you do not loose all your hard work and time. You may find a few different variations of a patch during your synthesis process that warrant saving, naming and tagging for different musical purposes. The First step is to save your sound in the ‘User’ directory, make a Category for (in this case ‘Pad Sounds’) and then name your patch. In the ‘Edit Tags’ Screenshot below, I assigned some adjectives to the various attribute types available. I also added my name to the list as an author of that particular patch. It is important to be as detailed as possible so you can find the patch later when searching for similar sounds.
Figure 6 – Creating Tags for Custom Patches in Omnisphere.
Fun with Effects and Arpeggiation
Having completed one pad sound, I used it as a starting point to design another usable sound. I didn’t touch on the FX or Arpeggiator sections in the previous example, so I experimented with those to come up with another synth sound. I was interested in doing something more rhythmic and staccato. First, I made adjustments to my Amp envelope so I had a shorter Attack and Release. Then, I tried out some Arpeggiator presets, selected something close to what I was looking for, and then edited the timing and velocity. In the FX section, there are tons of directions to go with the sound. In this patch, I settled on using one of my favorite new FX in Omnisphere called Innerspace, an Envelope filter and Stereo Imager. My new result is featured below:
Synth Design Example 3—with Arpeggiation and FX:
Figure 8 – FX Section Rack with Innerspace, Envelope Filter and Stereo Imager.
A World of Possibilities… Guided by You!
The world of synth programming is open to all producers and musicians regardless of experience. Software synths in particular are becoming so accessible that anyone can start to create unique sounds quickly. As I discovered on my journey, my custom patches started with a simple triangle wave and become so much more with just a few adjustments to various parameters. Whether you use Omnisphere or another synthesizer, I hope you feel encouraged to spend time exploring what’s possible.
Watch these Omnisphere 2 video tutorials to become an Omnisphere Jedi.
Related Videos
Omnisphere and serum: Two giants of the software synth world.
We’ve all wondered how they compare to each other, and today, after thorough analysis of both, we will come up with a winner.
It is, however, important to note that this article isn’t an attempt to determine which one of these beastly VSTs are ‘the best.’
What is actually the best is far too subjective for any one person to ascertain.
What you are about to read is merely a comparison of 2 industry leading virtual instruments in order to help you understand the differences and similarities between them.
If you’re on the fence about purchasing either one, or if you own both and struggle with which one to use for a particular task, you could benefit from the information in this article.
If you’re not familiar with either of these, we strongly recommend checking them out.
You should also check out splice, where you can try out serum and other plugins for free for 3 days and then pay a monthly fee starting at 4.99$.
We’ll start with the most obvious differences, then we will break things down into various sections:
Obvious Differences
Omnisphere 2 is an 8-part multitimbral VSTi, meaning you can play up to 8 different sounds at once with one instantiation.
Serum can only play one sound at a time, so if you want to play more than that, you’ll have to have to use a different instantiation for each different sound you use from it.
Spectrasonics hasn’t provided a demo of Omnisphere 2 yet, so there is no way to test it out unless you buy it. A demo version of Serum is available with Splice.
To get more acquainted with each synth, please check out the links below:
Oscillators
Omnisphere 2 comes withover 400 new waveforms each of which is a morphing wavetable.
Ethnic instruments and unusual sound sources like a burning piano are also included and can be used as oscillators.
Additionally, you can add your own sounds and use those as oscillators or mangle them in the granular synthesis section.
However, when compared to other dedicated granular synths like Mangle or PadShop, Omnisphere 2 falls a bit short in terms of editing features.
Serum on the other hand, comes with 144 wavetables and also gives you the ability to draw waveforms or load your own sounds and use them as oscillators.
Aside from being an “advanced wavetable synth”, Serum is also capable of performing additive and VA synthesis with classic waveforms (saw, square etc.) + a sub oscillator + noise oscillator.
Because of the array of waveforms and synthesis techniques that can be applied in both synths, they both could very well be referred to as modern hybrid synthesizers.
Filters
Serum has a variety of filter types. All the filters from Xfer’s LFOTool are included in addition to some new ones like Flangers, Phasers and the dirty sounding French LPF.
There are also Dual Filter types allowing you to morph between filter types.
Omnisphere 2 boasts a more flexible filter engine and 8 new filters giving you the ability to create your own filter sound with stereo control, drive and a host of other parameters to further customize your filters.
Also, it now includes all of the filters from GForce Software’s virtual synth, “impOSCar”.
Modulators
Personally, my favorite thing about Serum’s modulators is how easy it is to drag and drop a modulation source to a destination.
This makes for a much faster workflow when creating or editing complex a patch.
Then there are the drawable LFOs, Envelopes and Macros which, depending on your preference, are more fun to play with than mousing around with percentages or virtual knobs.
Omnisphere’s Modulation Matrix is unbelievably massive and flexible!
Almost every parameter can be modulated and there are a plethora of modulation sources and targets.
All 4 Effect Racks’ parameters, all the granular parameters, all the FM parameters, numerous parameters in the arpeggiator and envelopes can all be modulated by a multitude of sources.
But with all this modulation power, there is no drag and drop ability.
Effects
In addition to Serum’s classic synth effects and advanced effects such as a multiband compressor, Serum can be used as a dedicated FX processor as well.
Off the top of my head, the only other synths I can think of that have this feature are Native Instruments Absynth 5, FM8 and Reaktor 6.
The results of running an audio source through an effect with synthesizer parameters can be extremely inspiring and a lot of fun!
Omnisphere 2 has a wider variety of effects.
Vintage effects like echoes, choruses and compressors as well as various reverb types are included.
And remember, all of the parameters in each effect can be modulated. This does come at the cost of higher CPU usage, however.
I’d be curious to see what kinds of sounds could be generated if Omnisphere 2 was able to be used as a dedicated FX processor, but that feature isn’t available.
Overall Winner
I think Omnisphere 2 has a better sound library and is well-rounded as far as sound selection thanks to some of the best sound designers of our time, Eric Persing and Diego Stocco. Therefore, it takes the prize.
Serum may have a more flexible wavetable engine and deeper sound design capabilities with the wavetable editor, formulas and additive engine.